ISSUE 13 features a particularly diverse range of contributions, spanning contexts such as the postcolonial Arctic (Roger Norum’s introduction to a conference held in May 2014); German/Jewish postcolonial studies (see Sebastian Musch’s feature article); British media programming since the late 1940s (Khaleelah Jones’ article) and Pakistani fine art (Madeline Clements’ introduction to Second Glance / Double Take, an exhibition held at SOAS in June 2014 in conjunction with the Beyond Islamophobia conference, part of which also travelled to British Culture After 9/11 at Teesside University in July). As well as introducing such emergent research areas in the . . .
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